Competition Gallery
Seo-Yeoung Won
Chair
The illusion of space, and the relationships between objects and the space they occupy are central to Won's work. In the series Compressed Reality he uses the very particular space of the photographic studio to interrogate these issues. Common objects are removed from their everyday context and propelled into the charged space of the photographic studio, imaged in a way that draws on installation art, painting, photography and perspectival experimentation.
Candle
The illusion of space, and the relationships between objects and the space they occupy are central to Won's work. In the series Compressed Reality he uses the very particular space of the photographic studio to interrogate these issues. Common objects are removed from their everyday context and propelled into the charged space of the photographic studio, imaged in a way that draws on installation art, painting, photography and perspectival experimentation.
Wheel
The illusion of space, and the relationships between objects and the space they occupy are central to Won's work. In the series Compressed Reality he uses the very particular space of the photographic studio to interrogate these issues. Common objects are removed from their everyday context and propelled into the charged space of the photographic studio, imaged in a way that draws on installation art, painting, photography and perspectival experimentation.
Table
The illusion of space, and the relationships between objects and the space they occupy are central to Won's work. In the series Compressed Reality he uses the very particular space of the photographic studio to interrogate these issues. Common objects are removed from their everyday context and propelled into the charged space of the photographic studio, imaged in a way that draws on installation art, painting, photography and perspectival experimentation.
Stairs
The illusion of space, and the relationships between objects and the space they occupy are central to Won's work. In the series Compressed Reality he uses the very particular space of the photographic studio to interrogate these issues. Common objects are removed from their everyday context and propelled into the charged space of the photographic studio, imaged in a way that draws on installation art, painting, photography and perspectival experimentation.
