Competition Gallery

 

Alison Stolwood

Dark Green Fritillary on Wildlife Attracting Mix

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Painted Lady with Sedum and Sponge - Painted Lady with Sedum and Fruit

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Milk Parsley Swallowtail and Pupa

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Seed Composite 01, Mixed Varieties

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Light Trap (florescent)

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Sor Brook

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Cow and Calf

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


Hanging Glacier

Course: MA Photography , University of Brighton

The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.

www.alisonstolwood.com

animation: Wasps Nest


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