Competition Gallery
Alison Stolwood
Dark Green Fritillary on Wildlife Attracting Mix
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Painted Lady with Sedum and Sponge - Painted Lady with Sedum and Fruit
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Milk Parsley Swallowtail and Pupa
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Seed Composite 01, Mixed Varieties
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Light Trap (florescent)
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Sor Brook
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Cow and Calf
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
Hanging Glacier
The distinctions between natural and artificial interest Stolwood. Her work looks to highlight the impossibility of fixing these distinctions, through camera technologies, notions of time, change and her perception of things in the world. Constructing and isolating with the lens she often builds up a work in montage or multiple frame, wielding visual mechanisms to study her ‘surrounding of infinite complexity’. Isolating a small part of this complexity to concentrate on, while acknowledging the relative impossibility of understanding the whole, the work studies life, succession and entropy through a ‘constructed and technological’ landscape.
animation: Wasps Nest
