Competition Gallery
Helen Goodin
C160M160Y170
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
C140M140Y170
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
C120M120Y170
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
C100M100Y170
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
C60M60Y170
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
C
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
Y
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
M
A defining factor of Goodin’s practice is questioning what photography is and what is key to the production of the photograph. Her answer is light. She experiments in the darkroom make images and play with light onto the surface of photographic material. Source considers the nature of light, its changing behaviors, and more specifically how the filtration of light from an enlarger alters the photographs’ exposure and colour. The circular nature of these images derives directly from the pin-hole, the basis for most photography. What one sees within this simple form is subject to ones own interpretation.
